CAROLYN DEMISCH is excited to return to the NYC stage and the DMTheatrics fold with TAKING LIBERTIES, and thanks Adam and Frank for the opportunity. In a past life Carolyn was a musical theater actress; currently she is a second-year MBA student at NYU Stern focusing on media and entertainment marketing.

ADAM ENRIGHT played Dominic/Coby in Williamsburg! The Musical, winner of the 2007 NYC Fringe Festival Outstanding Music/Lyrics award and can be heard on the newly released Original Cast Recording. Other Favorite credits include: Woof in Hair (Gallery Players), Wang Hung in Underwear: A Space Musical (NY Fringe '08), Riff Raff in Rocky Horror in Concert (Crash Mansion), The Beggar's Opera (Peculiar Works Project) and, coming soon, Coneybear in Spelling Bee (Mason Street Warehouse.)  Adam is also a proud back-up singer for New York City Chanteuse Erin & Her Cello.  For more info, visit www.adamenright.com.

AARON FUKSA  Credits include - Off Broadway: The Karaoke Show (Diane Paulus ,Director).  Tour: Jesus Christ Superstar (06-08) with Ted Neeley and Corey Glover; The Best Little Whorehouse in Texas. Featured Performances: Indianapolis, Seattle and Oregon Symphonies.  For more info, visit www.aaronfuksa.com.

COLLEEN HORAN would like to start a competitive bowling league with marginal talent. This is because she would like one night per week where she can wear her team's tacky shirt, down a cheap pitcher, and yell expletives over that elusive turkey. She feels like this should be easy in a place like NYC, and yet, she can't find a good place to make this happen. If you, dear reader, know of a good place, please visit www.colleenhoran.net where you can find her email address and contact her, for goodness sake. Thanks to DMtheatrics, family, friends and Philip.

ELAINE MORAN  Credits include:  NYC:  Die Zauberflote (Project Opera Manhattan), The Believers (AtHand Theater Company);  Regional:  Hair (Attic Theater, Chicago), The Music Man (Winnetka Theater, IL).

EVAN TOTH is a singer-songwriter, pianist, guitarist and performer who writes music in the vein of the 70's greats, as can be heard on his latest release, Welcome Back to Hell.  Some of his influences are The Beatles, Billy Joel, The Kinks, and, of course, Elvis Costello.  Evan also produces and hosts a program called Good Music on WFDU 89.1 FM which features great new and old music with one hour of the program devoted entirely to vinyl.  He can be found performing often in the mid-Atlantic region and is currently recording a new album for release later this year.  In addition, Toth also teaches high school and college English and performing arts.  For more info, visit www.evantoth.com.

BRIANNA TYSON was born and raised in the City of Lost Angels, just west of Hollywoodland and north of Cookie Cutter County. She found her way to the better coast nigh eight years ago to study theatre at NYU, and has been loving it and living it here ever since. With a passion for classic theatrical arts and more than a flair for the absurd, Brianna is thrilled to be joining the ranks of Danse Macabre Theatrics. She would like to thank all of her friends and family who continue to be the rock needed to push herself out of a hard place.

BECKY BYERS (choreographer) first appeared with DMT as Prime in the Brick production of Bitch Macbeth, and later appeared in The Wild, Wild Women of Wakky-Nunu.  She also provided choreography for 0109.

ADAM SWIDERSKI (musical director) comes from a place where the sun shines all the time.  He writes some songs and occasionally plays and sings them in front of some people.  Sometimes, they clap when he’s finished.  Adam’s most recent DMT appearances were 0109 and as the tortured Macbeth in Bitch Macbeth.

FRANK CWIKLIK (producer/director)  has been pumping out loud, excessive, almost entirely pointless theater in various NYC venues for over 10 years, despite the pleas and entreaties of audiences and critics, and in defiance of several court orders and Federal regulations.  Having started in the arts in his childhood, writing and directing school plays at the precocious age of 10, his talent has barely progressed since, though he has put on weight and gotten much crankier.  With his needlessly gargantuan theater company, the roundly despised DMTheatrics, he has produced and/or directed over two dozen shows since 1999, and has worked as an actor and designer for dozens of shows for other desperate unsuspecting entities in that time. 

His best-known works include the influential S&M futuristic fantasia Bitch Macbeth (whose recent third appearance at Williamsburg’s hip Brick theater smashed box office records and earned a 4-star review in Time Out New York);  the controversial political satire Sugarbaby! (published in the 2004 NYTE Plays and Playwrights Collection);  the smash-hit Vegas version of Antony and Cleopatra (winner 2003 OOBR Award for Outstanding Production); an infamous series of Ed Wood adaptations which played to sellout crowds at the legendary Todo Con Nada, as well as the Red Room and the St. Marks Studio Theater; and countless more that we're too damn lazy to list here.  His immersive, eccentric, aggressive directorial style has earned him inexplicable praise from the Village Voice, the New York Times, Time Out New York, NYTheatre.com, Backstage, Stage Press Weekly, and (somehow) Popular Mechanics, and has influenced many directors working both on and off Broadway, none of whom have offered the courtesy of so much as a greeting card or thank-you note. 

Cwiklik’s DM-Theatrics laboratories are busily concocting more of his unique and exhausting theatrical endurance tests, including Scarlet Street, A Week in Wackystan, Anaheim Requiem, and, at no one's request, more entries in the Badass Record Collection.  Cwiklik and his wife Michele, who has co-produced and/or appeared in nearly all of DMT’s productions, live with a scowling, temperamental midget named Donald who poops his pants and eats nearly non-stop -- Cwiklik is waiting for the test results to come back before committing to any trust funds or longterm living accommodations for the tiny interloper. His next production will be the first in the Grudge Match series of Shakespearean atrocities, Titus Andronicus, which is sure to confuse audiences and infuriate critics and scholars alike. He does not own a pair of jeans.