Dan has spent the better part of his life trying to convince people he has talent (very often nearly succeeding). He most recently appeared in DM Theatrics’ production of Sugarbaby! and has been seen in other DMT favorites such as House of Trash, Bitch Macbeth, and OOBR award winner The Stranger. His recent directing credits include his own adaptation (with Bradley Reichek) of Dangerous Liaisons) and a music video for pop band The B-Sides and numerous TV commercials for Sports Illustrated, as well as The Importance of Being Earnest, Ashes to Ashes, and his own God, Satan, & Daytime Television.  Other favorite acting roles have included Roderigo in Othello and Lawrence in For Whom the Southern Belle Tolls. Dan has written for numerous publications including The New York Times, the New York Observer, Stage-Directions Magazine, Health Magazine, Psychology Today and the Houston Chronicle. For more information on his upcoming work, visit his production company's web site www.wildemule.org.

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Angela's DMT debut was in the hit comedy Sugarbaby!  When she is not busy pretending to have multiple personalities (and hairdos!), Ang spends her time as a telemarketer harassing America's senior citizen population.  Previously in the performance world, she's been seen at Centenary Stage Company, Granbury Opera House, Lakes Region Summer Theatre, Theatre at Lime Kiln, and Lily Langtry's Showplace. Ang holds a B.F.A degree in musical theatre from Catawba College in North Carolina.

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Bio forthcoming.

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Gerald Marsini  last performed with DMTheatrics in The Stranger, and as Alexas in Antony and Cleopatra.  In the meantime he appeared in Another Urban Riff's MONO at Surf Reality, and No-Pants Theatre Co.'s Life During Wartime at HERE, in which he played, among other roles, Ted Koppel sans comb over.  Prior credits include: Edgar in E.L. Doctorow's Drinks Before Dinner, Inside Art Theatre Co.; the title role in Eugene Ionesco's The Viscount, GeminiCollision Works; 3-D World, No-Pants Theatre Co. entry in NY Fringe 2001; Josthinkle and Ludwig in Mephisto, Theater of Necessity and Reverie Prods.; Fricka and Hagen in the Nada Show World revival of Charles Ludlam's Der Ring Gott Farblonjet.  Muchas gracias to my family for the love and support.  Especially thank you, dad.

Nicole, a native of Vermont, came to NYC in 1994 to attend college at Marymount Manhattan. After receiving her B.F.A in 1998 she continued studying voice privately with Debra Vanderlinde and currently studies at the Shakespeare Intensive Workshop with Rosemary Hay. Guest instructors have included Richard Crawford of The Flying Machine and Patsy Rodenburg, head of the voice department at The Royal National Theater in Britain and coach to such talents as Dame Judi Dench, Ralph Fiennes and Ian Holm, among others. Nicole has worked regionally and locally quite steadily (knock on wood) since her arrival in this city and some of her favorite roles include: Jane in The Witch of Edmonton for REV Theatre Company; Lady Capulet in The National Theatre of the Perfomring Arts National Tour of Romeo and Juliet; Hermia in A Midsummer Night's Dream for Shakespeare in the Park(ing) Lot and The Hudson River Arts Festival (NYC); Queen Anubis in Amazons in Chains with DM Theatrics (NYC); Several forays into the world of Ed Wood, Jr. for Gemini Collision Works/Nada Classic's Ed Wood Festival in the fall of 2000 (NYC);  Several victims and a police officer in Bryan Enk's adaptation of The Crow at Nada Classic (NYC); Marie in Woyzeck for The Rathskellar (NYC); The Girl in That Was Her Day (a one woman show) at Dance Theatre Workshop (NYC); and Sonya in Uncle Vanya for The Parish Players (VT), among others. Nicole has worked with the International Independent Film and Video Festival and has been a featured extra in such independent films as Anduin and Delorian and Young Teamsters.  She recently appeared as Agrippa in the OOBR-award winning DMT production of Antony and Cleopatra and reprised her role of Wire in the revival of Bitch Macbeth.  Her most recent DMT appearance was as Dora in Nevada Territory.

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NEXT DMT APPEARANCE:  Franco in Twenty!  Tom Mazur has been hailed as a dilettante, a dabbler, a "disreputable, hulking boob and a waste of space".  In spite of lavish praise, he continues to hone and polish his trade in order to bring you closer to brilliant stories by greater minds.  He's a storyteller of mixed media, appearing downtown and upstate, courtesy of his folks (in better times), his sisters, of whom he is damn proud, and the shade of his heart - petal, thorn and all.  His most recent DMT appearance was as Small Asbury in Bitch Macbeth.

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NEXT DMT APPEARANCE:  Robert in Twenty Josh Mertz is from Ohio.  He is pleased to have appeared in six DMT productions to date, most recently earning the best reviews of his career as Rod Butane in Sugarbaby!  He seems to be getting his God on lately, having played Preacher Bob Maggot in DMT's House of Trash, and portraying an evil Bible scholar in Uncovering Eden at Wings Theatre.  He recently completed touring with Chamber Theatre, warping the minds of rugrats across this great land. Thanks to Radiohead, The Flaming Lips, Simpsons and South Park for making life bearable.

Todd Miller

Todd Miller is the author of many plays, including The Teeth of God, Hurricane Soup, Das Presley, and Mose the Fireman; more recent plays include Kookamonga Falls, America 2.0 and the Christmas mini-musical Revenge of the Magi, with composer Joel Derfner. His plays have been performed at the St. Mark’s Studio, The American Living Room Festival at HERE, Manhattan Theatre Source, the Ohio Theater and the Todo Con Nada. He also wrote a teleplay for Rock the Vote which aired on MTV. In his spare time, Todd designs games and writes ad copy for his friends.

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Marisa Moss made her plunge in the burlesque world with the recent Who in the Hell is the Real, Live Lorelei Lee?  Previous NYC credits include: Girl Scout/ Judge in Buddy Cianci: the Musical at Fringe Fest 2003, Polly in Don’t Call Us for the Gallery Players of Brooklyn, and Danielle in Glossing Over at Altered Stages.  Her latest national tour was The Little Mermaid for AFT Productions of PA.  Regional favorites include: Narrator in Joseph and the Amazing Technicolor Dreamcoat (VA), Juliet in Romeo & Juliet (VA), Laurey in Oklahoma! (VA), Rizzo in Grease! (VA), Rosalia in West Side Story (NH), Diana (NC) and Maggie (VA) in Lend Me A Tenor, Truvy in Steel Magnolias (VA), and Ginger in Best Little Whorehous in Texas (NH).  Marisa would like to say a hearty thank-you to all her family, friends, and teachers for supporting her and to her best friend and soul mate, Jon, for always keeping her leg broken.

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Emily Mostyn-Brown recently moved to New York from Chicago after graduating from Loyola University Chicago.  Her past Loyola credits include Frau Schneider in Cabaret; Mrs. Winemiller in Summer and Smoke; Mag in Beauty Queen of Leenane; and Bunny in The House of Blue Leaves.  She made her DMT -- and New York City -- debut in the recent OOBR award winner Antony and Cleopatra, and played Dolly in the recent Nevada Territory.  

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NEXT DMT APPEARANCE:  Alfred in Twenty New York stage: Avenge! (Genesis Repertory Ensemble); Sugarbaby! (DMTheatrics); Indigo Rat (Rose’s Turn - 2001 MAC Award winner); Hell in a Handbasket 5 (Jennifer Winegardner, producer).  Other supporting roles include The Misanthrope and Twelfth Night.  Director and AD:  No Exit, Much Ado About Nothing, Indigo Rat, and the Summer Play Party at Manhattan Class Company (1999-2001).  As a producer: The Fall Collection, a three-week theatre, film and music festival on the Lower East Side in November 2004; Toby at The Sanford Meisner Theater for Watchdog Theatre Company (February 2004).  Thanks to friends and family for constant support, thanks to this wonderfully talented cast, and thanks to Frank and Michele for their creative visions and awesome spirit.