Can't tell you where she's from...Or anything about her. They might find her. They are coming to get her. They will eventually find her. But right now she is laying low. Buying herself some time here. Shhh! do you hear that? Don't move! Do you hear them? They're coming! You're one of them, aren't you!...

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NEXT DMT APPEARANCE:  Twenty!  Bio forthcoming.

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Steven recently made his DMT debut as Eli, Grover, Leonard, and others in Nevada Territory.  Previous acting credits include: Cohoes Music Hall:  The Diary of Anne Frank (Peter); Dorset Theatre Festival:  The Orchard (David), Sylvia (Greg), Venezia (Don Giacomo); Lake George Dinner Theatre:  Over The Tavern (Eddie); University at Albany:  Measure for Measure (Angelo), Hedda Gabler (George Tesman), See How They Run (Rev. Toop), Shadow of a Gunman (Mulligan), This Is Our Youth (Warren). Previous directing credits include: A Streetcar Named Desire (Directing Project), Waiting for Godot (Senior Independent Study). Steven would like to thank all those who support him along the way. He would also like to dedicate his performance to the memory of Kim Wilson, who was taken from us much too soon. 

Eric grew up a small boy in Colorado.  He attended Colby College, where he did some auditioning, improv, and a great deal of starving.  Sugarbaby was his first show since arriving in NYC, and he's really happy to once again be a household name.  His roommates seem less excited about this fact, and claim to live in an apartment, not an actual "house".

NEXT DMT APPEARANCE:  Carl in Twenty!  Bob has been with DMTheatrics since the beginning, appearing in  the now-infamous Girls' School Vampire playing Harold Kumel and Johnny.  DMT gave Bob his most challenging role in Salome playing the very disturbed Herod, and was next honored with the role of Captain Buck Fuster in the classic Amazons in Chains! He reprised his role as the Rbiter in the recent revival of DMT's Bitch Macbeth and his most acclaimed DMT appearance was as Caesar in the OOBR-award winner Antony and Cleopatra.  He was last seen as Burgess Link in the acclaimed DMT original Who in the Hell is the Real, Live Lorelei Lee? and as the psychopathic Padre in Nevada Territory.  Some of his non-DMT roles include Benvolio in Romeo and Juliet, and Moliére in A Rehearsal at Versailles with Random Arts.  Bob's films include Bryan Enk's Mina Seward and Macbeth.  Bob is proud to be a part of DMT and part of this talented and diverse company.

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Peter B. Brown is a frequent collaborator with such downtown theater companies as Danse Macabre Theatrics (The Stranger, Kookamonga Falls, Bitch Macbeth); Untitled Theater Co. #61 (Rhinoceros, The Bald Soprano, Richard III); Year One Productions (A Little Piece of the Sun, Boris by the Sea, King John); Gemini CollisionWorks (Frankenstein In Love, Ten Nights In A Bar-Room, Film Is Evil: Radio Is Good); RandomArts, Inc. (A Doctor in Spite of Himself); and Adhesive Theater (Kirby, The Battles of Coxinga).  He has appeared in films by Bryan Enk (Midnight Days, Mina Seward), Carin Perry (The Bag, Happy Hour), and Eric Giancoli (The Audit).  Directorial efforts include Shakespeare's Romeo and Juliet, Othello,  Lanford Wilson's A Betrothal, and Martin Epstein's How Gertrude Stormed The Philosophers' Club.   He recently reprised his role as the Auctioneer in DMt's revival of Bitch Macbeth.  He can also be seen in the title role of Bryan Enk's film adaptation of Macbeth. 

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Sarah Jane Bunker was most recently seen with DMTheatrics at The Red Room in the OOBR-award winning The Stranger. Other NYC credits include Women and Wallace (Space at 24), Bitch Macbeth (Access Theatre), The Crow, The Fugitive Girls, Mose the Fireman/Das Presley (Todo Con NADA), How to Succeed in Business Without Really Trying and Iolanthe (Village Light Opera Group), Cask of Amontillado (Present Co.), Orgy of the Dead (Surf Reality), Quicksand (St. Marks' Theater) and the Obie-award-winning Benton Kozo (Flea Theatre). Thanks to God, my family, Sadie the weiner and my girls.